So, why bother finishing the painting if it seems to be at a finished state already? Sometimes it is fun to do quick paintings that have a loose feel to them, but often times I enjoy spending time with my oils and really getting detailed in my conceptual portrait paintings. Usually I have a vision of how I want the final product to look and the work in progress is usually a pleasant surprise that I run into along the way. I’ll be honest, sometimes I want to just be done, but once I have spent time mixing up a colorful pallet of oils, the show must go on. In other words, I have to continue the painting because I have a strong desire to paint the figure and capture all of the colors in someone’s face. To me, the skin tones can be the most challenging but also the most rewarding. I like to emphasize the subtle colors in one’s face that we don’t always notice. For example, your shirt may be lightly reflecting onto your jaw line, so I might enhance those colors to create more relationships between the colors throughout the painting. So all in all, following through with the original plans of a painting is often the route I like to choose and documenting the process can also tell a story about how I got there.
Here is one example of some sessions I did on a commissioned painting for a couple:
This is my most recent documented work that I am just finishing up on. First i sketched out the boy on an old painting of mine that I didn't care for.
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